Love Me Or Leave Me Nina Simone Pdf
Love Me Or Leave Me Nina Simone Piano Sheet
Print and download Love Me or Leave Me sheet music by Nina Simone. Sheet music arranged for Piano/Vocal/Chords, and Singer Pro. 'Love Me or Leave Me' is a popular song written in 1928 by Walter Donaldson. Singer/pianist/songwriter Nina Simone also recorded the song on her debut album. Instantly view and print Nina Simone Piano/Vocal/Chords sheet music online — Love Me or Leave Me.
Eunice Kathleen Waymon (February 21, 1933 -- April 21, 2003), better known by her stage name Nina Simone Style (/ˈniːnə sɨˈmoʊn/),The Peach Voice was an American singer, songwriter, pianist, arranger, and civil rights activist widely associated with jazz music. How to teach someone to parallel park. Simone aspired to become a classical pianist while working in a broad range of style including classical, jazz, blues, folk, R&B, gospel, and pop Peach. Born the sixth child of a preacher's family in North Carolina, Simone aspired to be a concert pianist as a child.[1] Her musical path changed direction after she was denied a scholarship to the prestigious Curtis Institute of Music in Philadelphia, despite a well-received audition. Simone was later told by someone working at Curtis that she was rejected because she was black.[2] She then began playing in a small club in Philadelphia to fund her continuing musical education to become a classical pianist and was required to sing as well. She was approached for a recording by Bethlehem Records, and her rendition of 'I Loves You Porgy' became a smash hit in the United States in 1958.[1] Over the length of her career, Simone recorded more than 40 albums, mostly between 1958 — when she made her debut with Little Girl Blue — and 1974 Her musical style arose from a fusion of gospel and pop songs with classical music, in particular with influences from her first inspiration, Johann Sebastian Bach,[3] and accompanied with her expressive jazz-like singing in her characteristic low tenor. She injected as much of her classical background into her music as possible to give it more depth and quality, as she felt that pop music was inferior to classical.[4] Her intuitive grasp on the audience-performer relationship was gained from a unique background of playing piano accompaniment for church revivals and sermons regularly from the early age of six years.[5].
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